And

He joined five of the curtains into one set and the other six into another.

He made fifty loops along the edge of the end curtain in the first set, and fifty loops along the edge of the corresponding curtain in the second set.

Additionally, he made for the tent a covering of ram skins dyed red, and over that a covering of fine leather.

Each frame was ten cubits long and a cubit and a half wide.

Each frame was ten cubits long and a cubit and a half wide.

…and forty silver bases—two bases under each frame.

…and two frames for the two back corners of the tabernacle,

…coupled together from bottom to top and fitted into a single ring. He made both corners in this way.

So there were eight frames and sixteen silver bases—two under each frame.

…five for those on the other side, and five for those on the rear side of the tabernacle, to the west.

And he overlaid the frames with gold and made gold rings to hold the crossbars. He also overlaid the crossbars with gold.

And he overlaid the frames with gold and made gold rings to hold the crossbars. He also overlaid the crossbars with gold.

Next, he made the veil of blue, purple, and scarlet yarn, and finely spun linen, with cherubim skillfully worked into it.

Next, he made the veil of blue, purple, and scarlet yarn, and finely spun linen, with cherubim skillfully worked into it.

He also made four posts of acacia wood for it and overlaid them with gold, along with gold hooks; and he cast four silver bases for the posts.

He also made four posts of acacia wood for it and overlaid them with gold, along with gold hooks; and he cast four silver bases for the posts.

For the entrance to the tent, he made a curtain embroidered with blue, purple, and scarlet yarn, and finely spun linen,

For the entrance to the tent, he made a curtain embroidered with blue, purple, and scarlet yarn, and finely spun linen,

…together with five posts and their hooks. He overlaid the tops of the posts and their bands with gold, and their five bases were bronze.

…together with five posts and their hooks. He overlaid the tops of the posts and their bands with gold, and their five bases were bronze.

…together with five posts and their hooks. He overlaid the tops of the posts and their bands with gold, and their five bases were bronze.

Bezalel went on to construct the ark of acacia wood, two and a half cubits long, a cubit and a half wide, and a cubit and a half high.

Bezalel went on to construct the ark of acacia wood, two and a half cubits long, a cubit and a half wide, and a cubit and a half high.

Bezalel went on to construct the ark of acacia wood, two and a half cubits long, a cubit and a half wide, and a cubit and a half high.

Bezalel went on to construct the ark of acacia wood, two and a half cubits long, a cubit and a half wide, and a cubit and a half high.

He overlaid it with pure gold, both inside and out, and made a gold molding around it.

He overlaid it with pure gold, both inside and out, and made a gold molding around it.

And he cast four gold rings for its four feet, two rings on one side and two on the other.

And he cast four gold rings for its four feet, two rings on one side and two on the other.

Then he made poles of acacia wood and overlaid them with gold.

He constructed a mercy seat of pure gold, two and a half cubits long and a cubit and a half wide.

He constructed a mercy seat of pure gold, two and a half cubits long and a cubit and a half wide.

He constructed a mercy seat of pure gold, two and a half cubits long and a cubit and a half wide.

…one cherub on one end and one on the other, all made from one piece of gold.

And the cherubim had wings that spread upward, overshadowing the mercy seat. The cherubim faced each other, looking toward the mercy seat.

He also made the table of acacia wood two cubits long, a cubit wide, and a cubit and a half high.

He also made the table of acacia wood two cubits long, a cubit wide, and a cubit and a half high.

He overlaid it with pure gold and made a gold molding around it.

And he made a rim around it a handbreadth wide and put a gold molding on the rim.

And he made a rim around it a handbreadth wide and put a gold molding on the rim.

He cast four gold rings for the table and fastened them to the four corners at its four legs.

He made the poles of acacia wood for carrying the table and overlaid them with gold.

He also made the utensils for the table out of pure gold: its plates and dishes, as well as its bowls and pitchers for pouring drink offerings.

He also made the utensils for the table out of pure gold: its plates and dishes, as well as its bowls and pitchers for pouring drink offerings.

Then he made the lampstand out of pure hammered gold, all of one piece: its base and shaft, its cups, and its buds and petals.

Then he made the lampstand out of pure hammered gold, all of one piece: its base and shaft, its cups, and its buds and petals.

Then he made the lampstand out of pure hammered gold, all of one piece: its base and shaft, its cups, and its buds and petals.

Six branches extended from the sides, three on one side and three on the other.

There were three cups shaped like almond blossoms on the first branch, each with buds and petals, three on the next branch, and the same for all six branches that extended from the lampstand.

There were three cups shaped like almond blossoms on the first branch, each with buds and petals, three on the next branch, and the same for all six branches that extended from the lampstand.

And on the lampstand were four cups shaped like almond blossoms with buds and petals.

And on the lampstand were four cups shaped like almond blossoms with buds and petals.

A bud was under the first pair of branches that extended from the lampstand, a bud under the second pair, and a bud under the third pair.

The buds and branches were all of one piece with the lampstand, hammered out of pure gold.

He also made its seven lamps, its wick trimmers, and trays of pure gold.

He made the lampstand and all its utensils from a talent of pure gold.

He made the altar of incense out of acacia wood. It was square, a cubit long, a cubit wide, and two cubits high. Its horns were of one piece.

And he overlaid with pure gold the top and all the sides and horns. Then he made a molding of gold around it.

And he overlaid with pure gold the top and all the sides and horns. Then he made a molding of gold around it.

And he overlaid with pure gold the top and all the sides and horns. Then he made a molding of gold around it.

And he made the poles of acacia wood and overlaid them with gold.

And he made the poles of acacia wood and overlaid them with gold.

He also made the sacred anointing oil and the pure, fragrant incense, the work of a perfumer.

Bezalel constructed the altar of burnt offering from acacia wood. It was square, five cubits long, five cubits wide, and three cubits high.

He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.

He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.

He made all the altar’s utensils of bronze—its pots, shovels, sprinkling bowls, meat forks, and firepans.

And he made the poles of acacia wood and overlaid them with bronze.

And he made the poles of acacia wood and overlaid them with bronze.

Next he made the bronze basin and its stand from the mirrors of the women who served at the entrance to the Tent of Meeting.

Then he constructed the courtyard. The south side of the courtyard was a hundred cubits long and had curtains of finely spun linen,

…with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.

…with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.

…with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.

The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver.

The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver.

The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.

The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.

The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.

And the east side, toward the sunrise, was also fifty cubits long.

The curtains on one side of the entrance were fifteen cubits long, with three posts and three bases.

And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well.

And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well.

The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.

The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.

The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,

The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,

The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,

…with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops.

…with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops.

All the tent pegs for the tabernacle and for the surrounding courtyard were bronze.

With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.

With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.

With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.

All the gold from the wave offering used for the work on the sanctuary totaled 29 talents and 730 shekels, according to the sanctuary shekel.

The silver from those numbered among the congregation totaled 100 talents and 1,775 shekels, according to the sanctuary shekel—

The hundred talents of silver were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.

With the 1,775 shekels of silver he made the hooks for the posts, overlaid their tops, and supplied bands for them.

The bronze from the wave offering totaled 70 talents and 2,400 shekels.

He used it to make the bases for the entrance to the Tent of Meeting, the bronze altar and its bronze grating, all the utensils for the altar,